Esther Schipper at Art Basel |
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| Booth views: Art Basel, Basel, 2022. Photos © Andrea Rossetti
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Art Basel 2022
Hall 2.1 Booth R1 Messe Basel Messeplatz 10 4058, Basel Through June 19, 2022 www.artbasel.comWe hope you will join us at Booth R1 at Art Basel through June 19 and hope you can attend Ari Benjamin Meyers' K Club at the inaugural edition of Unlimited Night from Art Basel on Thursday, June 16, 7–10pm at Hall 1.0, 10 Messeplatz, Basel. We also want to draw your attention to a selection of exciting exhibitions by the gallery artists in Basel environs and other European cities, which you will find below. Preview: June 14 – 15 Public days: June 16 – 19 With works by Rosa Barba Martin Boyce Matti Braun Angela Bulloch Sarah Buckner Etienne Chambaud Simon Fujiwara Ryan Gander General Idea Liam Gillick Rodney Graham Ann Veronica Janssens Gabriel Kuri Jac Leirner Liu Ye Roman Ondak Philippe Parreno Sojourner Truth Parsons Ugo Rondinone Karin Sander Julia Scher Online Viewing RoomPreview: through June 15, 12pm CEST Public days: June 15, 12pm CEST – June 19, 12am CEST If you wish to receive a dossier, or should you have any questions about our presentation at Art Basel, please contact Marek Obara: obara@estherschipper.com
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| Booth view: Art Basel, Basel, 2022. Photo © Andrea Rossetti | |
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| Booth view: Art Basel, Basel, 2022. Photo © Andrea Rossetti | |
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Ari Benjamin Meyers – K Club at Art Basel | Unlimited Night |
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| Ari Benjamin Meyers, K Club, 2019, performance, environment, neon sign, 2 12-inch LP vinyl records, dimensions variable, neon sign: 106 x 97 x 8 cm. Exhibition view: Ari Benjamin Meyers, K Club, Blitz Club, Städtische Galerie im Lenbachhaus und Kunstbau, Munich, 2020. Photo © Lenbachhaus | |
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Ari Benjamin Meyers K ClubArt Basel | Unlimited Night Hall 1.0 10 Messeplatz, Basel Thursday June 16, 2022, 7–10pm www.artbasel.comSpecial tickets for the Unlimited Night can be purchased here. A ticket to Unlimited Night does not guarantee access to K Club.A special performance of Ari Benjamin Meyers, K Club will be at the inaugural Unlimited Night. Ari Benjamin Meyers' K Club is a performance work in an environment installation. Conceived for the artist’s solo exhibition at Officine Grandi Riparazioni – OGR, Turin in 2019, the work consists of a special environment (either existing or specially installed) and neon signage, a musical score, composed in collaboration with Deadbeat and released separately as a limited edition LP ( available here), and a performance protocol that describes guidelines for the visitor’s experience. Each visitor experiences the work on their own. A neon sign marks the entrance to the performance environment, where visitors will queue and be led to the club area one by one. At Art Basel Unlimited Night, being alone for 10 minutes will contrast with the bustling experience of the art fair environment. During the one-night limited run, only a few visitors will be able to enter K-Club. During the duration of the work, a visitor may wander through the room, dance or otherwise enjoy this individual clubbing experience. Visitors waiting outside, and potentially turned away, are participants in the larger performative component of this one-night only edition of K Club. 'Performing Art Basel – with a rich array of performances at this year’s Swiss edition, visitors can tap into the here and now' Read here: Judith Vrancken on performance at Art Basel
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| Exhibition view: Julia Scher, Wonderland, Esther Schipper, Berlin, 2018. Photo: Andrea Rossetti. | |
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Julia Scher Wonderland
Maison Populaire 9 bis Rue Dombasle 93100 Montreuil Through July 15, 2022 www.maisonpop.fr
Between 1996 and 1997, Julia Scher photographed seven children wearing pink uniforms: Lena, Grace, Andy, Andre, Brandon, Jodi and Zoë. Some of them held up batons or gas masks, others just stared defiantly at the camera. In the following months, Scher enlarged these images and integrated them into an installation which traveled and evolved in time: 1997, Chicago; 1998, New York; 2000, Bordeaux ; 2018–2019, Berlin. Over the years, the principle has remained the same: a child-sized control desk surrounded by distorting mirrors bathed in twilight-colored lights. The recorded voice of the artist warns the audience: “There are live cameras filming you [...] Attention. Your size may change”. This is Wonderland, an upside-down world where children watch over adults downsized in the reflections of mirrors.
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| Image © Museum of Fine Arts Leipzig, VG Bild-Kunst, Bonn, 2022. Photo: PUNCTUM / Alexander Schmidt | |
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Tino SehgalMuseum of Fine Arts, Leipzig Katharinenstraße 10 04109 Leipzig Through July 27, 2022 www.mdbk.deA presentation by Tino Sehgal is at the Museum of Fine Arts in Leipzig. A changing program of several works, among them This Success/This Failure, will run through July 24, 2022. |
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| Exhibition view: Angela Bulloch, Perpendicular Paradigm, Musée d'Arts de Nantes, 2022. Photo: Cécile Clos | |
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Angela Bulloch Perpendicular Paradigm
Musée d'Arts de Nantes 10 Rue Georges Clemenceau 44000 Nantes Through August 30, 2022 www.museedartsdenantes.fr
Under the title Perpendicular Paradigm, Angela Bulloch's major solo exhibition of new and recent work opens at the Musée d’arts de Nantes on May 13, 2022. Reconstructing the constellations in the starry sky above the museum at the 2021 summer solstice, the artist has installed Firmamental Square, a monumental Night Sky work, in the museum's atrium. Geometric sculptures made of wood, metal or synthetic marble populate the exhibition spaces along with their shadow wall paintings. In addition, a new two–channel video animation presents a 3D version of the very exhibition on view, showing a slice of a meta-reality, an exhibition within the exhibition with two invented characters roaming the exhibition; one is apparently human and the other is a planetary system made up of elements of the artist's work.
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| Exhibition view: Ann Veronica Janssens, 5766 chemin des Trious, Fondation CAB, Saint-Paul-de-Vence, 2022. Photo © Andrea Rossetti
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Ann Veronica Janssens 5766 chemin des TriousFondation CAB 5766 chemin des Trious 06570 Saint-Paul-de-Vence Through September 11, 2022 www.fondationcab.com
Fondation CAB Saint-Paul-de-Vence presents a solo exhibition of Ann Veronica Janssens – 5766 chemin des Trious. The presentation at Fondation CAB Saint-Paul-de-Vence is part of a double exhibition project with the Collection Lambert, Avignon (July 2 – October 9, 2022).
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| Exhibition view: Color as Program, Bundeskunsthalle Bonn, 2022 Photo: Simon Vogel, 2022 © Kunst- und Ausstellungshalle der Bundesrepublik Deutschland GmbH | |
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Color as Program
With works by Rosa Barba, Angela Bulloch, Dominique Gonzalez-Foerster, Hito Steyerl and more Co-Curator and exhibition architecture by Liam GillickBundeskunsthalle Bonn Helmut-Kohl-Allee 4 53113 Bonn Through August 7, 2022 www.bundeskunsthalle.de"Color in this exhibition is always a carrier of ideas. Color is and is not what it appears to be. Color is a vehicle to express contradiction and subjectivity." Liam GillickThe exhibition Color as Program addresses color as an artistic medium and its programmatic, political dimension on the basis of art and cultural history exhibits from far more than 100 years. The theme is not so much the art historical context of color or a media-technological exploration of the topic. Rather, it is about the artistic exploration of the power of color. This permeates all disciplines, not only aesthetically and perceptually, but also politically and economically. The exhibition features works from over 40 artists including Rosa Barba, Angela Bulloch, Dominique Gonzalez-Foerster and Hito Steyerl.
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| Film still: Philippe Parreno, La Quinta del Sordo, 2021, 4K film, aspect ratio: 2.10, duration: 39 mins. Still © the artist | |
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Philippe Parreno La Quinta del Sordo
Museo Nacional del Prado C. de Ruiz de Alarcón, 23 28014 Madrid Through September 2, 2022 www.museodelprado.esThe Museo Nacional del Prado hosts screenings of La Quinta del Sordo, the latest filmic work by Philippe Parreno, focusing on Goya’s long-destroyed country house and its legendary wall paintings, the Pinturas negras (Black Paintings). Visitor informationFive screenings – seances – are held each day from Monday through Saturday, and four every Sunday. Visitors can reserve viewing time slots. Each screening is limited to 30 visitors. The screenings are accompanied with a live cello performance, composed especially for the film. Further information via www.museodelprado.es
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| Ugo Rondinone, the sun II, 2022, gilded bronze. Exhibition view: Ugo Rondinone, burn shine fly, Scuola Grande di San Giovanni Evangelista, Venice, 2022. Photo © Andrea Rossetti | |
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burn shine flyUgo Rondinone Scuola Grande di San Giovanni Evangelista San Polo, 2454 30125 Venice Vaporetto: San Tomà Through September 24, 2022 Tuesday – Saturday, 11am – 6 pm www.burnshinefly.com“The sculptures in ‘ burn shine fly’ aims to engender an altogether contemporary version of the sublime, one in which the smallest candle sculpture is of no less consequence than the overarching totality of the sun sculpture or the stellar marriage of the earthbound body with the waterfilled sky. The work should dazzle us and send us into a deep reflection about the marvels and mysteries of life.” – Ugo Rondinone
Curated by Javier Molins, burn shine fly is installed within the historic walls of one of the oldest and most important Scuole in Venice, with both iconic works by Rondinone as well as a new body of work created specifically for this exhibition.
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| Roman Ondak, Measuring the Universe, 2007, performance: felt-tip pen, museum guards, museum audience. Performance views: MoMA, New York, 2009. Photos © MoMA | |
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Roman Ondak Measuring the UniversePinakothek der Moderne Barer Straße 40 80333 Munich Through September 25, 2022 www.pinakothek-der-moderne.deThrough September 25, 2022, the Pinakothek der Moderne in Munich enact Roman Ondak's Measuring the Universe. The concept of Measuring the Universe is simple: the height of the museum visitors is recorded on the wall - in the way parents mark the growth of their children to give them a sense of the dimension of time. An everyday, actually private action becomes the center of attention and is transformed into a public and collective action. During the exhibition period, a drawing is created on the wall that becomes denser and blacker. In the end, all the people will be present at the same time, although they will all have left as well. |
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| Gabriel Kuri, Fountain, 2022, stainless steel, water, mechanism and mixed media, dimensions 260 x 120 x 120 cm. Exhibition view: Geneva Biennale Sculpture Garden, Geneva Biennale, 2022. Photo © the artist
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Geneva Biennale Sculpture Garden With Gabriel Kuri
Geneva Biennale Les Eaux-Vives Beach Geneva Through September 30, 2022 www.sculpturegarden.chFountain is an outdoor sculpture inspired in high tech public toilet facilities. Assuming its location in an area of high public density, as well as in proximity to the shore of Lake Geneva, Fountain invites the spectator to activate its subtly changing shape at the touch of a button, briefly flushing water down its aseptic stainless steel surface. Although placed in an area of vigorous transit, it conceives its address in the intimacy of an enclosure, one spectator at a time. Fountain is a functioning circuit, as well as a circuit of one-off forms in which the oblique concavity of a stainless steel body, serves as a cast for the changing shape of flowing water.
Watch a video of the work on Gabriel Kuri's Instagram.
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| Anri Sala, Time No Longer, 2021, three-channel UHD computer-generated imagery and three-channel sound, color. Photo Markus Tretter, © Anri Sala, Bildrecht Wien, 2021, Kunsthaus Bregenz | |
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Anri Sala TransfiguredGAMeC Palazzo della Ragione 24129 Bergamo Through October 16, 2022 www.gamec.itFor the fifth year in a row, GAMeC – Galleria d’Arte Moderna e Contemporanea di Bergamo returns to the prestigious Palazzo della Ragione, the beating heart of the old town, with a new exhibition by Anri Sala, who has created a thoughtful dialogue with the iconic Sala delle Capriate based on his most recent film and sound installation: Time No Longer. |
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| Pierre Huyghe, Variants, 2021 - ongoing, scanned forest, real-time simulation, generative mutations and sounds, intelligent camera, environmental sensors, animals, plants, micro-organisms and materialized mutations: synthetic and biological material aggregate. Photo: Ola Rindal. © Pierre Huyghe
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Pierre Huyghe VariantsKistefos Samsmoveien 41 Jevnaker Through October 16, 2022 www.kistefosmuseum.comPierre Huyghe, Variants, a new site-specific work is now on view at Kistefos. Variants is a multipolar entity that perceives, generates and modifies. It is simultaneously an island and what that island could be in an alternate reality. |
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| Exhibition view: Pierre Huyghe, Offspring, Kunsten Museum, Aalborg, 2022. Photo © Niels Fabaek / Kunsten Museum of Modern Art Aalborg | |
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Pierre Huyghe Offspring
Kunsten Museum of Modern Art Kong Christians Allé 509000 Aalborg Through October 30, 2022 www.kunsten.dkThe exhibition Offspring from Pierre Huyghe at Kunsten Museum of Modern Art connect six key works using, sensors which capture sound, light and movement. Each work perceives and influences each other, the exhibition rhythm, flow and the way it manifests. |
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| Daniel Steegmann Mangrané, ⊮, 2022, Kriska aluminium curtain, aluminium rail, powder-coated steel frames, 3,95 x 15 m (each, 3 parts). Exhibition view: Under Construction, Hamburger Bahnhof - Museum für Gegenwart, Berlin, 2022, Nationalgalerie - Staatliche Museen zu Berlin, 2022 © Thomas Bruns | |
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Under Construction New Acquisitions for the Nationalgalerie’s Collection With Ceal Floyer and Daniel Steegmann MangranéHamburger Bahnhof Invalidenstraße 50-51 10557 Berlin Through January 15, 2023 www.smb.museumwww.underconstructioninberlin.deThe Hamburger Bahnhof holds an exhibition entitled Under Construction, presenting the latest additions to the Nationalgalerie collection, including works by Ceal Floyer and Daniel Steegmann Mangrané.
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| Gabriel Kuri, Untitled (100%), 2011, painted metal, 134.5 x 394 x 134.5 cm. Artwork presented in 2016-2022. © Gabriel Kuri. Courtesy Domaine du Muy. Photo: J.C. Lett
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Sculpture Park With Gabriel Kuri and Isa MelsheimerDomaine du Muy 83490 Le Muy www.domainedumuy.comOnly by appointment: info@domainedumuy.comIn the Sculpture Park of Domaine du Muy are works by Gabriel Kuri and Isa Melsheimer. Gabriel Kuri's Untitled (100%), 2011, is composed of four parts, each of which represents a quarter of a circle. Together, they form the '100%' referred to in the title. The position of the elements is important because the artist imagines them in both a realistic and symbolic dimension. Some are placed one against the other, piled on top of each other, stacked or grouped together. Kuri's metal sculptures create a link between the formal language of modernist sculpture, and the conventions of representing economic and statistical data in curves, pie charts and other diagrams. Isa Melsheimer, Domestic Landscape and Affinities, 2014, is a work created by formwork, a technique more common to the construction of buildings which involves filling a mould with cement. Its multi-level form includes flat surfaces on which plants or objects could be placed, or members of the public may sit down. The composition of the work recalls the Brutalist architecture of the 1960s and 1970s. This piece forms part of the artist's research into architectural forms, and more specifically those of modernism and its descendants.
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| Philippe Parreno, Quasi Objects: My Room is a Fish Bowl, AC/DC Snakes, Happy Ending, Il Tempo del Postino, Opalescent acrylic glass podium, Disklavier Piano (detail), 2014–2022. Pinault Collection. Photo © Andrea Rossetti
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Une Seconde d’éternité With Ryan Gander, Dominique Gonzalez-Foerster, Pierre Huyghe, Philippe Parreno, Anri Sala and Tino Sehgal
Bourse de Commerce – Pinault Collection 2 rue de Viarmes 75001 Paris June 22, 2022 – January 2, 2023 www.pinaultcollection.comIncluding Echo2: a Carte Blanche to Philippe Parreno with Arca, Nicolas Becker, and Tino SehgalRotunda of Bourse de Commerce – Pinault Collection, Paris June 22 – September 26, 2022 Une Seconde d’éternité brings together some fifteen artists whose works are able to generate a space-time. In the Rotunda, Philippe Parreno presents Echo2: a Carte Blanche in collaboration with Arca, Nicolas Becker, and Tino Sehgal.
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| Ugo Rondinone, life time (Rendering), 2019, neon, acrylic glass, translucent foil, aluminium, Courtesy of the artist and Studio Rondinone | |
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Ugo Rondinone life time
Schirn Kunsthalle Römerberg 60311 Frankfurt am Main June 24 – September 18, 2022 www.schirn.deEntitled life time,the Schirn Kunsthalle is dedicating a large survey exhibition to Ugo Rondinone with key paintings, sculptures, and video works.
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| Ann Veronica Janssens, frisson bleu, frisson rose, 2021, hammered glass laminated on dichroic PVC film and float glass, 200 x 110 x 1 cm (78 3/4 x 43 1/4 x 3/8 in) each (2 parts). Photo © Andrea Rossetti | |
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Ann Veronica Janssens entre le crépuscule et le cielCollection Lambert 5 Rue Violette 84000, Avignon July 2 – October 9, 2022 www.collectionlambert.comThis year Ann Veronica Janssens has been invited for a dual exhibition at the Collection Lambert and the Fondation CAB (Saint-Paul-de-Vence). At the Collection Lambert, Avignon, the artist has created an installation on the first floor of the Hôtel de Montfaucon that responds to a previously unseen selection of artworks by Dan Flavin, on show in the ground floor gallery spaces. In Saint-Paul-de-Vence, at the other extremity of Provence, she has created a situation in which her work mirrors the Avignon installation and resonates with the history of the two exhibition sites.
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ESTHER SCHIPPER POTSDAMER STRASSE 81E 10785 BERLIN
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