New at Antarang: art, ideas, and experiences you won’t want to miss. See what just happened and what’s coming soon.

March 13 - April 12, 2026

Artists Represented: Anant Mishra, Avneet Chawla, B. Ajay Sharma, Bandana Jain, Hansika Mangwani, Jagmohan Bangani, Laishram Membi Devi, Ritu Aggarwal, Tarun Sharma

In a time of constant noise and shifting realities, the exhibition In Resonance: The Self and the World reflects on the delicate balance between our inner lives and the external world. Bringing together contemporary artists, the exhibition explores how art becomes a way to process and distill lived experience. Through gesture, colour, and form, moments of overwhelm are transformed into quiet clarity.

Workshop - Art Therapy for Inner Awareness

April 15, 2026

The art therapy workshop invites participants to explore interoception, the ability to notice inner states such as breath, heartbeat, warmth, tension, and stillness. Through guided awareness, sensory drawing, and mixed media art making, participants will begin to trace their inner landscape.

April 24, 2026

This session is designed as an interactive conversation where questions are welcome, ideas are explored, and the foundations of modern art are made accessible. The session will explore the journey of Indian art from Company School to the modern period and discuss how these avant-garde movements shaped the modern masters of India.

Led by Sania G. Vohra and Nidhi Panta

January 30 - March 3, 2026

This exhibition brought together some of the finest articulations of modern and contemporary Indian art. It reflected on how the social and political shifts surrounding independence, along with the legacy of colonialism, shaped the practices of modern masters. The exhibition also explored how these modernist ideas were carried forward and reinterpreted by contemporary artists. Together, the works created a dialogue across generations, tracing evolving artistic languages and concerns. The exhibition invited viewers to revisit the spirit of experimentation and inquiry that defined Indian modernism.

March 13 - 20, 2026

The third edition of Spotlight featured Tarun Sharma, whose print-based practice explored ideas of coexistence, ecology, and urban life. Using slow and labour - intensive printmaking processes, the artist created works that reflected on the fragile balance between humans, animals, and the natural environment. The exhibition considered themes of environmental change, urban expansion, and invisibility of non-human life. The works functioned as quiet reflections on shared and precarious existence.

March 15, 2026

The printmaking workshop was an engaging and interactive session that welcomed participants across age groups. Through softboard printing and linocut techniques, they were introduced to the nuances of carving, inking, and printing. Working hands-on with the press, participants experienced the full journey of creating a print. The session encouraged play, experimentation, and creative freedom. Each participant left with their own handmade prints, and a deeper appreciation for the process.

March 6, 2026

The session unfolded as an engaging and open conversation around understanding art beyond aesthetics, particularly in the context of collecting and the art market. Discussions moved through questions of why art is collected, how artworks are priced, and how factors such as period, subject, and rarity influence value. The conversation also touched upon the growth of the Indian art market, budgeting for art, and the differences between artists showing independently and through galleries. It was an interactive exchange of ideas, experiences, and perspectives on living with art as both pleasure and investment.

Paramjit Singh
Untitled
Oil on canvas
60 x 48”
2009

Paramjit Singh’s landscapes draw from the pastoral environment of his childhood in Amritsar, existing between representation and abstraction. Rather than depicting nature realistically, his works evoke its mood through expansive, quiet compositions. Marked by an impressionist sensitivity to light and an expressionist use of colour, his paintings balance freshness with calm through layered greens, blues, whites, and earthy tones.
Over time, he shifted to using a palette knife, creating richly textured surfaces that add depth and immersion. While recurring elements appear across his works, subtle shifts in colour, texture, and atmosphere give each painting a distinct and engaging character.

Jagmohan Bangani
Mahamrityunjaya Mantra
Acrylic on canvas
69 x 69
2022

The artwork engages with the Mahamrityunjaya Mantra not only as sacred text but also as visual form. Built through layers of thick acrylic, the repeated script transforms into a textured surface where language shifts from something to be read to something to be experienced, becoming image, pattern, and a meditative field.
Rooted in the Rigveda and dedicated to Lord Shiva, the mantra is associated with healing, protection, and inner strength. Through its repeated inscription, the artist transforms writing into a meditative act, embedding time, labour, and devotion into the surface. As the layers build, the text becomes less legible yet more present, inviting slow contemplation and creating a space that reflects on repetition, stillness, and spiritual experience.