1. What are you looking forward to seeing?

2. What are you looking forward to watching?

I indulge by watching films in the summer holidays and long flights. I just watched Everything Everywhere All At Once - I'm looking forward to watching it again and taking in the details. Women Talking was another highlight of my summer movie binge.

3. What are you looking forward to listening to?

I'm listening to women. My friends and family. The women who support me, care for me and live their lives around me. My daughters are entering their teens - listening to them tell me stories and share their experiences as they navigate the world of double digits and the first year of secondary school is the highlight of my day. Listening to them being girls now in the 21st Century - I'm listening to them, trying to learn and understand the world from their point of view, knowledge and experience.

4. What are you looking forward to reading?

I've been reading the works of Virginia Woolf since my visit to her country home in Lewes last year. It is almost 100 years since she first gave the essay A Room Of One's Own. I will complete Jacob's Room and then begin To the Lighthouse. I'm reading Rebecca Solnit's essays - I love her writing...and, I'm eagerly waiting for the next novel by Australian author Nikki Gemmell to be published.

My favorite book is The Edible Woman by Margaret Atwood - I read it every year. It keeps me on my toes.

5. Tell us more about your body of work?

I'm a sculptor. I work with clay. Sometimes porcelain, sometimes terracotta. I make works using the tools of cake decorating and royal icing which has a historical connection with porcelain production in Europe and matrilineal craft practice. Craft and hand making is meditative and creates a loop in my practice. The ideas form the making, and the making forms the ideas. It’s like a continuous cycle – my experience is the basis.

My works all begin from an autobiographical point in some way or other...I’ve been working with pastel hues more recently, the pinks and blues directly relate to the gendered colour palette of my childhood. A recent commission for The Powerhouse Museum, Sydney allowed me to focus on Jasper blue well known as the signature colour for Wedgewood pieces spanning the last two centuries. Coming up, I have a solo exhibition mid-year at the New England Regional Art Gallery of my Canyon works. And, soon a new body of work will be exhibited with Cynthia Corbett Gallery at Collect Art Fair in Somerset House, London!